Tuesday, April 24, 2012

Proslavery Arguments of the Antebellum


George Fitzhugh

James Henry Hammond

   James Henry Hammond and George Fitzhugh were two Caucasian, American, educated men of the 1800’s who were very much in favor of slavery.  James Henry Hammond was born and died in South Carolina.  He practiced law in South Carolina, and was the state governor from 1842-1844.  In 1857, Hammond was elected as a democrat to the United States Senate where he served until 1860.  Hammond was also a wealthy southern plantation owner. [i]In a speech given to the United States Senate on March 4, 1958, Hammond proposed his “mudsill theory”, “In all social systems there must be a class to do the menial duties, to perform the drudgery of life. That is, a class requiring but a low order of intellect and but little skill…Such a class you must have, or you would not have that other class which leads progress, civilization, and refinement…We use them for our purpose, and call them slaves…Our slaves are black, of another and inferior race.”[ii]  Hammond’s racial argument was typical of many white men of the antebellum; white men were biologically superior to men of color, especially the African Americans.

  Another staunch supporter of slavery, lawyer George Fitzhugh, was a small plantation owner, best known for two pro-slavery books he authored. In addition to his above arguments, he justified slavery in terms of being better for slaves than that in Africa,” We would remind those who deprecate and sympathize with negro slavery, that his slavery here relieves him from a far more cruel slavery in Africa, or from idolatry and cannibalism, and every brutal vice and crime that can disgrace humanity; and that it christianizes, protects, supports and civilizes him; that it governs him far better than free laborers at the North are governed.” [iii] Slavery in Africa was brutal, but surely it was brutal in the southern plantations as well. Fitzhugh not only considered the black man inferior, but lazy as well, ”The negro is improvident; will not lay up in summer for the wants of winter; will not accumulate in youth for the exigencies of age. He would become an insufferable burden to society. Society has the right to prevent this, and can only do so by subjecting him to domestic slavery. In the last place, the negro race is inferior to the white race, and living in their midst, they would be far outstripped or outwitted in the chaos of free competition.”[iv] The black slaves were so busy working on the plantations, that they had no time, and were given no opportunities of education.  It was convenient for slave owners to assume that they were biologically superior to the black slaves in order to protect their fortunes, and to justify the system of slavery. Fredrick Douglass was an example of that time that blacks were not biologically, innately inferior to whites.  Douglass was born into slavery but taught himself to read and write.  In 1838, he borrowed the papers of a black sailor and escaped to the north; he became the most influential black of the nineteenth century.[v]

   Even free blacks of the antebellum were not afforded the opportunities to prove their equality as Foner points out, ”Barred from schools and other public facilities, free blacks laboriously constructed their own institutional life, centered on mutual aid and educational societies, as well as independent churches, most notably the African Methodist Episcopal Church…White employers refused to hire them in anything but menial positions, and white customers did not wish to be served by them. The result was a rapid decline in economic status, until by mid-century, the vast majority of northern blacks labored for wages in unskilled jobs and as domestic servants.” [vi] In addressing the difference between the free blacks of the north and the slaves of the south, Hammond had this argument,” The difference between us is, that our slaves are hired for life and well compensated; there is no starvation, no begging, no want of employment among our people, and not too much employment either.”[vii] Agreeing with Hammond, George Fitzhugh had this to say, ”The negro slaves of the South are the happiest, and, in some sense, the freest people in the world. The children and the aged and infirm work not at all, and yet have all the comforts and necessaries of life provided for them. They enjoy liberty, because they are oppressed neither by care nor labor. The women do little hard work, and are protected from the despotism of their husbands by their masters.”[viii]

  It is well known that many plantation owners abused their slaves, often raping the women; many considered them as property to be used as they pleased. Moses Grandy, a fugitive slave reports,” ...We had to work, even in long summer days, till twelve o'clock, before we tasted a morsel, men, women, and children all being served alike… Our drink was the water in the ditches... One black man is kept on purpose to whip the others in the field; and if he does not flog with sufficient severity, he is flogged himself… There are men who make a trade of whipping negroes; they ride about inquiring for jobs of persons who keep no overseer; if there is a negro to be whipped, whether man or woman, this man is employed when he calls, and does it immediately; his fee is half a dollar. Widows and other females, having negroes, get them whipped this way. Many mistresses will insist on the slave who has been flogged begging pardon for her fault on her knees, and thanking her for the correction.”[ix] Black feminist, Michelle Wallace confirms,” She (black slave) was labeled sexually promiscuous because it was imperative that her womb supply the labor force. The father might be her master, a neighboring white man, the overseer, a slave assigned to her by her master; her marriage was not recognized by law.”[x]

   It is almost impossible for us in this period of history to relate to the proslavery arguments of Fitzhugh and Hammond. “As the sectional controversy intensified after 1830, a number of southern writers and politicians came to defend slavery less as the basis of equality for whites than as the foundation of an organic, hierarchical society.  Many southern clergymen, in the course of offering a religious defense of slavery, argued that inequality and hence the submission of inferior to superior—black to white, female to male, lower classes to upper classes—was a “fundamental law” of human existence.”[xi]  Whether justified under the umbrella of religion, racial superiority, paternalism, or any other argument of the antebellum period, slavery is just a concept I cannot defend.


[i] American National Biography; Dictionary of American Biography; Faust, Drew Gilpin. James Henry Hammond and the Old South: A Design for Mastery. Baton Rouge: Louisiana State University Press, 1982.
[ii] James Henry Hammond, “The Mudsill Theory”, Speech to the U.S. Senate, March 4, 1858
[iii] Leslie H. Fishel, Jr. and Benjamin Quarles, The Black American: A Documentary History, Third Edition, Scott, Foresman and Company, Illinois, 1976,1970.
[iv] Leslie H. Fishel, Jr. and Benjamin Quarles, The Black American: A Documentary History, Third Edition, Scott, Foresman and Company, Illinois, 1976,1970.
[v] Eric Foner, Give Me Liberty! An American History (New York: Norton and Company, 2009), 375-376.
[vi] IBID (331-332)
[vii] James Henry Hammond, “The Mudsill Theory”, Speech to the U.S. Senate, March 4, 1858
[viii] Leslie H. Fishel, Jr. and Benjamin Quarles, The Black American: A Documentary History, Third Edition, Scott, Foresman and Company, Illinois, 1976,1970.
[ix] Moses Grandy, Narrative of the Life of Moses Grandy, (Boston, 1844), pp. 16 17, 34 41.
[x] Michele Wallace, Black Macho and the Myth of Superwoman, (New York, 1979) pp. 137-138.
[xi] Eric Foner, Give Me Liberty! An American History (New York: Norton and Company, 2009), 387.

Tuesday, March 6, 2012

The Revolutionary Elite



   The famous and great leaders during the Revolution of America, had more than the interests of the common man at heart.  Among others, Thomas Jefferson, Alexander Hamilton, George Washington, and John Adams, were highly educated men who also had much to gain by controlling the less educated masses beneath them.  The methods of control used by the Revolutionary elite sometimes worked, and other times did not.
   Edmond Morgan refers to the Revolution and the elite, “The fact that the lower ranks were involved in the contest itself was generally a struggle for office and power between members of an upper class: the new against the established.”1  Author Howard Zinn adds, ”When we look at the American Revolution this way, it was a work of genius, and the Founding Fathers deserve the awed tribute they have received over the centuries.  They created the most effective system of national control devised in modern times and showed future generations of leaders the advantages of combining paternalism with command.”2
   During these years, there were many riots and uprisings against the Revolutionary elite.  From 1776 to 1771, white farmers organized a “Regulator Movement” against corrupt and wealthy officials.  The Regulators sought to prevent collection of taxes and confiscation of property of those who were late paying their taxes.  The Governor’s response was to defeat them in military battle; six of them were hung.”3 
   The Continental Congress, who governed the colonies throughout the war, demonstrated another method of control by Revolutionary leaders.  The Congress granted half-pay for officers who fought to the end, while ignoring the common soldier, who was not paid.  When the soldiers rebelled, George Washington responded by giving half the men furloughs, and discharging the other half.4  Another mutiny in New Jersey, where two hundred men ignored their officers, was met again with military force, and resulted in two of the dissenters being shot by firing squads consisting of their friends.5  George Washington also turned down the desires of the black slaves seeking freedom to fight in the Revolutionary army.  This resulted in many black slaves joining the forces of the British allies to eventually gain their freedom.6
   American Indians were also greatly manipulated by the political leaders, who pushed them off their lands, and killed them if they resisted.  “Under orders from the British general Jeffrey Amherst, the commander of Fort Pitts gave the attacking Indian chiefs, with whom he was negotiating, blankets from the smallpox hospital.  It was a pioneering effort at what is now called biological warfare.”7
   Next we see abuse of power in the Sedition Act of 1798, which made it a crime to write or say anything “false, scandalous and malicious” against the President, Congress or the government.  The Sedition Act seemed to be in direct violation of the First Amendment, but ten dissenters were imprisoned for disagreeing with the government.8
   The methods of control used by the leaders of Revolutionary America, were real and can be best summed up in the words of leader Alexander Hamilton, ”All communities divide themselves into the few and the many.  The first are the rich and well-born, the other the mass of the people….The people are turbulent and changing; they seldom judge or determine right. Give therefore to the first class a distinct permanent share in the government….Nothing but a permanent body can check the imprudence of democracy….”9


1Howard Zinn, A People’s History of the United States (New York: The New Press, 2003), 65.
2 IBID (47)
3 IBID (51)
4 IBID (63)
5 IBID (63)
6 IBID (64)
7 IBID (66)
8 IBID (76)
9 IBID (72)

Sunday, February 5, 2012

Michelangelo’s David: Individualism




 

   Giorgio Vasari, Michelangelo Buonarroti’s friend and first biographer, states “anyone who has seen the David has no need to see anything else by any other sculptor, living or dead.”1  Michelangelo’s David is perhaps the world’s most recognizable statue.  Each year, millions of tourists travel to Italy to see one of the greatest masterpieces of the Italian Renaissance.  This seventeen foot marble statue resides in The Accademia Museum in Florence.2

   Originally the statue of David was intended to be one of twelve Old Testament statues to serve as buttresses of the cathedral of Santa Maria del Fiore in Florence, Italy.3  The Overseers of Office of Works of the Duomo gave Sculptor Agostino di Duccio, in 1464, the commission for David.  This patron church group was responsible for the maintenance and decoration of the cathedral.  Di Duccio abandoned the project for unknown reasons after beginning to shape the legs, chest, and feet.4  Next, Antonio Rossellino was commissioned to continue on the David, but his contract was terminated soon thereafter.5  The eighteen foot tall block of white, Carrera marble sat exposed to the weather in the yard of the cathedral workshop for twenty-five years.  The Operai began again to interview artists including Leonardo da Vinci to complete the project of the statue.6    On August 16, 1501, Michelangelo convinced the Opera Del Duomo (Cathedral Works Committee) to give him the contract for the commission of the David.  At the time he was merely 26 years old.7
 
   Michelangelo was a citizen of the city- state of Florence.  Between 1501 and 1504, when he created David, Italy as a nation was very young, and the power resided in individual cities.  Stokstad states, “Michelangelo’s powerful David stands for the supremacy of right over might- a perfect emblem for the Florentines, who had recently fought the forces of Milan, Siena, and Pisa, and still faced political and military pressure.”8  When the statue of David was placed in the city square, the people of Florence immediately identified with him, as a smart victor over a far superior enemy.  At this time in Renaissance history, Florence was a republican state, recently casting off the ruling Medici family, so David was a symbol of strength and power to the citizens.9  This new David would remind future governors of Florence to protect their people from injustice as King David had done.
 
   “Michelangelo’s David is based on the artistic discipline of disegno, which is an artistic discipline built on knowledge of the male human form.  Under this discipline, sculpture is considered to be the finest form of art because it mimics divine creation.  Because Michelangelo adhered to the concepts of disegno, he worked under the premise that the image of David was already in the block of stone he was working on.”10   Some say he believed that his hands merely released the form from its rock enclosure.  In the Bible, David is a young shepherd who slays the giant Goliath, then becomes a brave and just king.  Sculptors such as Donatello and Verrocchio depict the boy David standing over Goliath’s severed head.  Michelangelo’s young adult depiction of David is one before battle; his sling shot over his left shoulder and a rock in his right hand.11  Michelangelo began the work using a wax cast, then moved onto the marble medium. The David’s right hand is sculpted much larger than the left one, perhaps an intentional move by the artist to indicate strength.12 The sculpture has an uncircumcised penis, which is consistent with other artworks of the time, but conflicts with Jewish law.13  Many consider Michelangelo’s David as the ideal male form, combining human uncertainty and cleverness with heroic strength and power.

   When viewed close up as a gallery piece, David looks odd with its head and upper body out of proportion.  This contradicts the Renaissance obsession with perfect proportion and form.  It is argued that Michelangelo carved these proportions expecting the statue to be displayed and viewed from a distance, as a buttress for the cathedral.14  The leftover block of marble from the mountains of Carrara, Italy was a very unforgiving medium, however Michelangelo showed amazing technical skill in crafting the details of veins and curls of hair.15 Quite impressive is the fact that the great artist sculpted his piece with incredible accuracy; Michelangelo planned his work around the hole carved by a previous artist, even leaving some of the other sculptor’s marks on its surface.16

   Giorgo Vasari claimed that Michelangelo completed the statue in eighteen months, however The David was unveiled on September 8, 1504, just three years after the work started.17 A group of artistic peers comprised of Leonardo da Vinci, Piero di Cosimo, Filippino Lippi, Sandro Botticelli and Perugino, convened to debate the placement of David.18  Imperfections in the marble due to improper storage caused the group to abandon the idea of using David as a cathedral buttress; instead it was placed under the roof of the Loggia dei Lanzi, in front of Florence’s town hall at the entrance to the Palazzo Vecchio.19  In 1872, David was moved to the Accademia Museum for better protection, and a few years later, a copy installed in front of the Palazzo Vecchio.20  Moving the huge statue from Michelangelo’s workshop was no easy feat.  It involved building a wooden framework and hanging the statue from it with thick ropes.  This allowed the David to sway back and forth, absorbing the vibrations without cracking during transport.  The statue was then pulled on iron rollers across a path of wooden planks.21

   In 1527 the David was damaged when someone threw a bench out of a palace window, and broke the left arm.  Vasari restored the statue, but the joints are visible.22  The David was again damaged in 1991 when a man attacked the toes of the left foot with a hammer.23

   In summary, author G. B. Rose states in The Art of the Italian Renaissance, “The strongest man who ever devoted himself to art was Michelangelo…  In art his domain was the grand and terrible, and in that domain he has remained without a peer.  He was scarcely more than a boy when he carved that gigantic David facing Goliath, before whose superhuman wrath and defiance all other statues seem weak.”24


1 100swallows, “The Best Artists-Michelangelo’s David,” The WordPress.com Blog. January 6, 2009.
http://100swallows.wordpress.com/2009/01/06/michelangelos-david/
2 Marilyn Stokstad and Michael W. Cothren, Art History (New Jersey: Prentice Hall, 2011), 642.
3 “The History of Michelangelo’s David,” eHow.com, accessed September 17, 2011.
http://www.ehow.com/print/about_5398290_history-michelangelos-david.html.
4 IBID
5 IBID
6 “Michelangelo’s David-Everything on Michelangelo’s David,” Spiritus-Temporis.com, accessed September 17, 2011.
http://www.spiritus-temporis.com/michelangelo-s-david/
7 IBID
8 Marilyn Stokstad and Michael W. Cothren, Art History (New Jersey: Prentice Hall, 2011), 642.
9 100swallows, “The Best Artists-Michelangelo’s David,” The WordPress.com Blog. January 6, 2009.
http://100swallows.wordpress.com/2009/01/06/michelangelos-david/
10 “Michelangelo’s David-Everything on Michelangelo’s David,” Spiritus-Temporis.com, accessed September 17, 2011.
http://www.spiritus-temporis.com/michelangelo-s-david/
11 Ludwig Goldscheider, Michelangelo (London: Phaidon Press LTD, 1964), 10.
12 Studio of the South Blog. “Michelangelo Gallery, David,” 2011.
http://www.michelangelo-gallery.com/david.aspx
13 “The History of Michelangelo’s David,” eHow.com, accessed September 17, 2011.
http://www.ehow.com/print/about_5398290_history-michelangelos-david.html.
14 Studio of the South Blog. “Michelangelo Gallery, David,” 2011.
http://www.michelangelo-gallery.com/david.aspx
15 Ludwig Goldscheider, Michelangelo (London: Phaidon Press LTD, 1964), 10.
16 100swallows, “The Best Artists-Michelangelo’s David,” The WordPress.com Blog. January 6, 2009.
http://100swallows.wordpress.com/2009/01/06/michelangelos-david/
17 IBID
18 Ludwig Goldscheider, Michelangelo (London: Phaidon Press LTD, 1964), 10.
19 100swallows, “The Best Artists-Michelangelo’s David,” The WordPress.com Blog. January 6, 2009.
http://100swallows.wordpress.com/2009/01/06/michelangelos-david/
20 IBID
21 IBID
22 IBID
23 “Michelangelo’s David-Everything on Michelangelo’s David,” Spiritus-Temporis.com, accessed September 17, 2011.
http://www.spiritus-temporis.com/michelangelo-s-david/
24 G.B. Rose, “The Art of the Italian Renaissance,” The Sewanee Review, Vol. 6, No.2 (Apr., 1898): 142.